The Gospel Singer (or, Religion is a Drag)

Saturday night, my wife and I attended the "B.U.S. 8" (Bricolage Urban Scrawl) fundraiser at Pittsburgh's New Hazlett Theater. The event supports the Bricolage Production Company's theater season. The theater, and its lobby, were packed with people. It was great to see the level of community support for new, original theater in the Pittsburgh area.

The atmosphere was wonderfully supportive. Often, writing is a lonely and frustrating process. To have a theater community celebrate writers, directors, actors, and tech crews equally was encouraging.

One of my plays, The Gospel Singer (or, Religion is a Drag), was selected for Bricolage's "In the Raw" play festival. The dramaturg working with me said Bricolage received more than 80 script submissions; only three new works were selected. A Raisin in the Sun, by Lorraine Hansberry, and A Streetcar Named Desire, by Tennessee Williams, are the classic plays to be featured during the festival. There's something a bit intimidating about having one of your plays listed alongside two of the greatest works in American theatrical history. (Tangent: The 1961 film version of A Raisin in the Sun is even better than the more famous Streetcar adaptation. Watch it.)

The Gospel Singer will be performed "In the Raw" on May 19 and 20, at the Bricolage Theater in downtown Pittsburgh, PA. Here's the kicker: The price of admission is whatever you will generously contribute to Bricolage. If you'd like to learn more about "In the Raw" (including The Gospel Singer), visit:


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